• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
only abstract

Only Abstract

Representation program for independent abstract artists

  • Obejrzyj kolekcje
  • Artyści
  • Ekspozycje
  • Realizacje

New artwork by Ana-Maria Panaitescu

1 September 2020 Minimalism Painting Post-painterly Abstraction Process Painting Realizacje

New artwork by Ana-Maria Panaitescu
I am very interested in the ways that an object can be tangential to the borders of the canvas and I study this, often. A very simple composition and a very simple chromatic scale, a grisaille: white, black and ochre. When the things are simple, it can happen to be boring for the spectators. So, this is why “simple” is not easy to work with.

.
Ana-Maria Panaitescu

Ana-Maria Panaitescu

Ana-Maria Panaitescu

I think the objects from the church ritual are very proper for this simplicity: a pot, a Chalice and pillars.
The pillar has a connection with the idea of isolation, an idea that is very common these days. Hundreds of years ago, there were some Saints that chose to live on the top of a pillar, it was another kind of isolation, an isolation that they assumed they were searching for. They used to live like this, for years, in their search for God and spiritual growth.
Very simple way of living and very complex at the same time. This is why I felt that choosing the grisaille and letting these objects fill the space are very proper.

Share

Go Also To

Interview with David Carr
Esencja Spokoju: Kontemplacja w obrazach Jana Astnera
Karin Czermak Landlines 01
Karin Czermak – Landlines

Primary Sidebar

Posts by Abstract Style

  • Abstract Assemblage, Collage & 3d Objects
  • Action Painting
  • Color Field Painting
  • Digital Abstraction
  • Hard-edge Painting
  • Informel
  • Matter Painting / Haute Pate
  • Minimalism Painting
  • Optical Art / Op Art
  • Post-painterly Abstraction
  • Process Painting
  • Abstract Calligraphy

Latest Posts

EKSPRESJA I KOLOR: ŚWIAT ROMUALDY ANIOŁ-LUBAS

Informel, Post-painterly Abstraction

MALARSTWO PŁASZCZYZNY BEATY ZDANKIEWICZ – GEOMETRIA EMOCJI

Color Field Painting, Geometric Abstraction

CZY RELIEF TO JESZCZE MALARSTWO? GRANICA MIĘDZY OBRAZEM A RZEŹBĄ

Matter Painting / Haute Pate, Optical Art / Op Art

Harmonijna uczta dla zmysłów: Sztuka w restauracji

Action Painting, Color Field Painting, Digital Abstraction, Post-painterly Abstraction

SZTUKA NA ZAMÓWIENIE DO WNĘTRZ: AUTONOMICZNE DZIEŁO CZY DROGA TAPETA?

Action Painting, Color Field Painting, Digital Abstraction

Obrazy do dotykania – Jarosław Filipek

Informel, Matter Painting / Haute Pate, Process Painting

Okrągłe reliefy: Harmonia materii i światła w twórczości Jana Astnera

Abstract Calligraphy, Geometric Abstraction, Process Painting

Światłocień we wnętrzu z reliefami Adama Kwarty

Matter Painting / Haute Pate, Minimalism Painting, Optical Art / Op Art

Architektura Emocji: Sztuka Alicji Juno we wnętrzu jako fundament estetyki Loft i Soho

Abstract Calligraphy, Action Painting, Color Field Painting

Geometria duszy: inspiracja folklorem w malarstwie Jarosława Filipka

Hard-edge Painting, Informel, Post-painterly Abstraction, Process Painting

Search Artist’s Posts

  • Contact
  • Legal Information
  • Privacy Policy
  • Cookies Policy
fb
pin
in
lin
youtube
vimeo

wykonanie strony internetowej: miastostron.pl