• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
only abstract

Only Abstract

Representation program for independent abstract artists

  • Obejrzyj kolekcje
  • Artyści
  • Ekspozycje
  • Realizacje

Barbara Kemp Cowlin – The Happy Accident (or not!)

22 July 2020 Color Field Painting Geometric Abstraction Post-painterly Abstraction Process Painting Realizacje

I’ve always said I love the process of painting when the happy accident occurs. You can ask anyone who knows me—I’m not a great planner, hence the happy accident sometimes saves the day.
When I start painting I work roughly from reference photos. The 24″x24″ painting below was started last May
From initial washes, I tape out the colored shapes and add more definite, thicker paint to each broad area. This is about as far as my planning goes. From here I continue to mess with color, add random patterns, skew the angles and proceed. By keeping the process loose and not thinking too much, I invite the happy accident in. Perhaps it’s a color that throws the whole painting off. Or a weird angle that suddenly shifts the perspective of the whole painting.

When this happens, it causes me to rethink the direction the painting is going. It’s the domino effect of art. It’s the point at which my will intersects with the will of the painting. A struggle occurs, but it’s one I enjoy since I love problem solving. The new direction the painting takes keeps the process fresh and gives new energy to the painting (and to me).

In my experience, some paintings just seem to come together effortlessly. Others, not so much. I haven’t been able to figure out why this occurs—is it that I’m starting with a better idea in one case and something awkward in the other? Not in the proper mood when I get started? Color choices so difficult that there’s no way out?

In the case of the painting-in-progress shown, it’s been a battleground from start to present. I’ve been working on this 24″x24″ panel for months off and on. It’s morphed and then morphed again. The question comes up—when does one give up? I don’t seem to be capable of doing this. So I motor on, stewing about how to resolve the issues I see.

I turned the painting upside down and sideways for a different look. I briefly toyed with the idea of keeping it sideways. Cast that idea away and proceeded right-side-up. Added a stencil. First just to the bottom right. After this I added the stencil to the top. After many more small changes it started to come together.

And here it is, finally finished.
.
Barbara Kemp Cowlin

Barbara Kemp Cowlin

Barbara Kemp Cowlin

Barbara Kemp Cowlin

Share

Go Also To

Jose Manuel Mulero -
Interview with Jose Manuel Mulero
Yvette Kaiser Smith – Crocheted fiberglass and math structures
Abstract painting by bartos Saro

Primary Sidebar

Posts by Abstract Style

  • Abstract Assemblage, Collage & 3d Objects
  • Action Painting
  • Color Field Painting
  • Digital Abstraction
  • Hard-edge Painting
  • Informel
  • Matter Painting / Haute Pate
  • Minimalism Painting
  • Optical Art / Op Art
  • Post-painterly Abstraction
  • Process Painting
  • Abstract Calligraphy

Latest Posts

EKSPRESJA I KOLOR: ŚWIAT ROMUALDY ANIOŁ-LUBAS

Informel, Post-painterly Abstraction

MALARSTWO PŁASZCZYZNY BEATY ZDANKIEWICZ – GEOMETRIA EMOCJI

Color Field Painting, Geometric Abstraction

CZY RELIEF TO JESZCZE MALARSTWO? GRANICA MIĘDZY OBRAZEM A RZEŹBĄ

Matter Painting / Haute Pate, Optical Art / Op Art

Harmonijna uczta dla zmysłów: Sztuka w restauracji

Action Painting, Color Field Painting, Digital Abstraction, Post-painterly Abstraction

SZTUKA NA ZAMÓWIENIE DO WNĘTRZ: AUTONOMICZNE DZIEŁO CZY DROGA TAPETA?

Action Painting, Color Field Painting, Digital Abstraction

Obrazy do dotykania – Jarosław Filipek

Informel, Matter Painting / Haute Pate, Process Painting

Okrągłe reliefy: Harmonia materii i światła w twórczości Jana Astnera

Abstract Calligraphy, Geometric Abstraction, Process Painting

Światłocień we wnętrzu z reliefami Adama Kwarty

Matter Painting / Haute Pate, Minimalism Painting, Optical Art / Op Art

Architektura Emocji: Sztuka Alicji Juno we wnętrzu jako fundament estetyki Loft i Soho

Abstract Calligraphy, Action Painting, Color Field Painting

Geometria duszy: inspiracja folklorem w malarstwie Jarosława Filipka

Hard-edge Painting, Informel, Post-painterly Abstraction, Process Painting

Search Artist’s Posts

  • Contact
  • Legal Information
  • Privacy Policy
  • Cookies Policy
fb
pin
in
lin
youtube
vimeo

wykonanie strony internetowej: miastostron.pl